AI and Music-Making: Allies or Adversaries?

By Jennifer Paccione

AI is here, people…and here to stay. Whether we like it or not, have tried ChatGPT or not, the buzz is flying about AI and its benefits—and its threats—to creativity—in fields across the board, including the music industry. Here are some pros and cons to this new and powerful tool on the block that is making its way into everything we see…and hear.


Pros:
Enhanced Creativity: AI algorithms have the ability to generate new and unique musical compositions by analyzing vast amounts of existing music. This can help musicians and producers discover fresh melodies, harmonies, and rhythms that they may not have thought of on their own, leading to increased creativity and innovation.


Music Production and Efficiency: AI can automate various aspects of music production, such as mixing, mastering, and sound engineering. This can save time and effort for artists and producers, allowing them to focus more on the creative process. AI-powered tools can also enhance the quality and consistency of music production, leading to a more polished final product.


Improved Music Analysis: AI algorithms can analyze large datasets of music to extract patterns and insights. This can be beneficial for musicians, musicologists, researchers, and industry professionals, as it can provide valuable information about trends, genres, and audience preferences. Such insights can help musicians and record labels make informed decisions regarding their creative direction and marketing strategies.


Cons:
Loss of Authenticity and Originality: While AI-generated music can be impressive, there is a concern that it may lack the emotional depth and authenticity associated with human creativity. Critics argue that AI compositions may lack the personal experiences, cultural context, and genuine emotions that artists bring to their work, leading to a loss of originality and uniqueness in the music industry. Impact on Employment: The integration of AI in music production and composition processes can potentially lead to job displacement for musicians, sound engineers, and other industry professionals. As AI tools become more sophisticated, there is a risk that human involvement in certain aspects of music creation could diminish, potentially affecting livelihoods and career opportunities.


Bias and Lack of Diversity: AI algorithms are trained on existing datasets, which can introduce biases and perpetuate existing inequalities in the music industry. If the training data predominantly represents certain genres, cultures, or demographics, AI-generated music may be skewed towards those characteristics, further marginalizing underrepresented artists and genres. Ensuring diversity and fairness in AI-generated music remains a challenge.


Ethical Concerns: The use of AI in music raises ethical questions, particularly regarding copyright and intellectual property. Determining ownership and rights over AI-generated compositions can be complex, as they are often based on existing works. Additionally, there are concerns about the potential misuse of AI for creating deepfake music or imitating the styles of famous artists without their consent.


As a musician and composer myself, I feel that as AI will have powers of speed, pattern- finding, and algorithm recipe cooking, I have to say that it will be nowhere close in replacing the dynamic ebbs and flows of the human touch. Whether it be the striking of keys, bowing or plucking of strings, pounding snares, toms, and bass drums, or even the breaths of singers between vocal phrases, I think we enjoy hearing the sounds of humans on their instruments, however subtle and unobtrusive they may be. Not to mention when I write/compose, I am drawing on my own unique experiences, past and present emotions, current life situations, perspectives, opinions, loves, hates, indifferences, dreams, passions, regrets……none of which AI possesses or can pretend to possess and translate into music as eloquently…and fiercely…as us humans.


We don’t always realize it, but those “human” nuances are what makes the audible mix so tantalizing, especially when music is heard live under an optimal sound- mixing/acoustic environment. The human connection is at the core of hearing live music, with the symbiotic relationship between audience and musician(s). Even the human energy between musicians live on stage has very powerful, unexplainable effects on the energy and emotions of the audience. Knowing from first-hand experience, musicians feed off of each other’s energy and even flow together somehow that helps the creative process and live experience unfold exponentially. Many times composing for my band I would get “composer’s block” so I would present my musical ideas on my keyboard with my fellow bandmates. Many jam sessions would find us all in different directions, then somehow magically merging together, like meandering rivers finding one ocean. We would bounce verbal and musical ideas off each other, whether talking or playing through these ideas. Once we locked on to something that we all agreed was working, we would ride that flow, swimming in each other’s rhythm and voice to create some amazing work. That’s also part of the fun of composing and performing with other musicians. I don’t know if AI would ever be able to get inside my head like my bassist or drummer can. And for me, there’s nothing in the world that compares to the electricity that runs through my veins and the power it brings me when I’m up there on stage playing music with my fellow kindred spirits and feeling that energy from an audience.


All that being said, I am certainly curious and eager to learn more how AI can better assist in future work and possibly save some time for me, as I learn how it can be my “musical assistant” rather than “co-composer.” I believe that we should understand that AI in music-making needs to serve us, the creators, as a tool rather than to be relied upon as a replacement in music-making.


Here are just a few examples of websites and platforms that currently utilize AI in music:
Jukedeck (www.jukedeck.com): Jukedeck is an AI-powered platform that allows users to generate original music tracks in different genres and styles. Users can customize parameters such as tempo, mood, and duration to create music tailored to their needs.


Amper Music (www.ampermusic.com): Amper Music is an AI-driven platform that enables users to create custom music tracks for various purposes, including film, video games, and commercials. It provides a library of pre-composed music elements that users can arrange and customize.


AIVA (www.aiva.ai): AIVA (Artificial Intelligence Virtual Artist) is an AI composer that creates original compositions in different styles and genres. AIVA has been used for film soundtracks, advertising, and other media projects. Melodrive (www.melodrive.com): Melodrive is an AI-driven music generation platform that creates adaptive and interactive music for video games. It uses AI algorithms to generate music in real-time, responding to the game’s events and creating a dynamic and immersive experience.


Magenta by Google (magenta.tensorflow.org): Magenta is an open-source project by Google that explores the intersection of AI and music. It provides tools and resources for music generation, composition, and creativity using machine learning techniques.


I encourage you to give some (or all) of these a try, but take heed:
Always remember who created who.
Rock on, humans, and let’s keep making some great, boundary-pushing music.

Saturday Hockey News with Miguel

By Miguel Mike Medina

Vince Dunn signed a four-year, $29.4 million contract with the Seattle Kraken. The defenseman had NHL career highs in goals, assists, points, plus-minus and power-play points.

Nashville Predators signed veterans Ryan O’Reilly and Luke Schenn. The Predators are trying to make a playoff push for next seasons

Professional Wrestling is in a Good State

By Jim Biringer

When people look at the landscape of professional wrestling in 2023, they will see it in a good place. There are many healthy companies from WWE and AEW to Impact Wrestling, New Japan, AAA, ROH, and GCW. Despite all the hate on the Internet and the tribalism between WWE fans and AEW fans, the wrestling business is actually thriving. 

Now nothing will beat the mid to late 1990s Monday Night Wars between WCW and WWE, but in this day and age, it reminds many people of the old territory wrestling days. Except it is on a bigger scale. Remember during the territory days, only the major champions traveled to the old territories. For the most part, they worked in their region.


Vince McMahon Sr and the WWF ruled the Northeast. Jim Crockett and the NWA ruled the Carolinas and down into Georgia. There were promotions up and down the midwest from Minnesota and the AWA to WCCW in Texas. Even Florida and Memphis had good promotions. 
Once Vince McMahon Jr took the WWF national with Hulk Hogan a lot of things changed. The territories went away and WCW was on the rise behind Eric Bischoff. It really picked up with the nWo and the Monday Night Wars. And nothing will beat that time. Ask anyone who grew up during that time period, Mondays were the most watched television and the numbers showed it. 
Once WCW was bought by WWE, there was not much competition and fans were looking for another outlet. TNA was good for a while from 2004-2010. However, they could not compete with WWE in terms of a national stage. They tried and failed, but their brand is back to doing what it did during that time period. 


Obviously, fans tuned in to NJPW and ROH when Kenny Omega and the Young Bucks worked those promotions with the Bullet Club. Cody Rhodes going on the independent scene helped too. But the inception of AEW has been a game changer for the business. 


AEW has really given new life to the business of professional wrestling. President and CEO Tony Khan has allowed his wrestlers to work other promotions. The company started because of the Wrestle Kingdom match between Omega and Chris Jericho. From there things took off. The company is doing well and is going to have its biggest gate ever with All-In at Wembley Stadium. 


The addition of two hours of Collision on Saturday nights has really helped showcase the other wrestlers in the company. AEW was being innovative during the pandemic and now they are finding their groove again. Because of AEW, WWE raised its level with the Bloodline Storyline. Not to mention Triple H taking over and the rise of NXT during that time period before AEW came about really helped the business. 

More people were watching NXT when Triple H ran it than WWE. It just felt that an old-school show and he is bringing that to the main roster. WWE still has work to do cultivating new stars for the future but they are doing well. And that is a good thing. 


Just because you like one does not mean you have to hate the other. There are other wrestling companies out there for everyone. If you just like one fine. If you like them all that’s cool too. While the numbers may never reach the level of the attitude era and the Monday Night Wars, fans have more to choose from than they did back then.


There is so much more to choose from and that is what makes it so good. Just take this past Saturday night, there were great matches on Impact Slammiversary PPV, AEW Collision, and AAA TripleMania. It was a loaded Saturday night. You did not have that back in the 1990s and 2000s. 


One thing is for sure professional wrestling is in good shape regardless of the fans. The fans are the reason there is so much hate It is not the promotions. Like what you like and don’t compare other companies to each other. The companies sure don’t. 


People are talking about professional wrestling because of what is going on because there is so much of it. Again just enjoy it and have fun. Like what you like and let others like what they like. There is so much to choose from and support.


Now is truly the Golden Age of Professional Wrestling. 

The Steve Harvey Show (1996-2002)

By Miguel Mike Medina

The Steve Harvey Show is one of those sitcoms that’s known but at the same time feels underappreciated. The show ran for six seasons on ‘The WB Network’ which at the time was one of my favorite TV networks growing up. I miss the WB. So many great shows and animated series. The Steve Harvey Show had so many fun cast of characters. The show had great storylines and on-screen chemistry duos: Steve and Regina, Lovita and Cedric, Romeo and Bullethead, and Steve and Cedric.
The chemistry between Steve and Cedric is natural because they are real-life friends. They both became household names when they were part of Def Comedy Jam. Steve and Regina’s love story has been so many ups and downs but they finally got together in Season Five during the show. 
The show went through changes during Seasons 1 and 2, but they got better as the seasons went by. Adding Lovita Jenkins (Cedric’s love interest and then wife) was a genius move on the production team. When she came in Season Two, it changed the culture of the show. 
Overall, the legacy of The Steve Harvey Show should forever be remembered. I can speak about the show and break down some of my favorite episodes but I’ll save that when I make a video about it on The MMM Journal YouTube channel. 

1982 MLB All-Star Game

By Miguel Mike Medina

The 1982 MLB All-Star Game took place at the Olympic Stadium in Montreal, Quebec, Canada. It is the first All-Star Game ever played outside the United States. Five Montreal Expos players participated in the All-Star Game. One of the coolest moments happened when the crowd gave Gary Carter a standing ovation. As a baseball fan, it gives you chills. 

Photo Credit: TSN


The game was televised on ABC and what an incredible broadcasting team ABC had for this event. The broadcasting team consists of: Al Michaels, Keith Jackson, Howard Cosell, Don Drysdale, and Bob Uecker. Yogi Berra, Orlando Cepeda, Juan Marichal, Duke Snider, Bobby Thomson, and more former players threw out the ceremonial first pitch. 
Billy Martin was the manager of the American League team. Tommy Lasorda was the manager of the National League team. Both teams were stacked with great talented players and Hall of Famers. 

American League Roster: Rickey Henderson, George Brett, Reggie Jackson, Robin Yount, Carlton Fisk, Rod Carew, Eddie Murray, Carl Yastrzemski, Dave Winfield, Rich Gossage, and Ron Guidry.


National League Roster: Tim Raines, Pete Rose, Andre Dawson, Mike Schmidt, Gary Carter, Dale Murphy, Dave Concepcion, Ray Knight, Ozzie Smith, Dusty Baker, Steve Carlton, and Fernando Valenzuela. 

The National League defeated the American League 4-1. Cincinnati Reds shortstop Dave Concepcion hit a two-run home run off Dennis Eckersley. Concepcion took home the ASG MVP honors. 

Marlins’ Offensive Explosion on the 4th of July

By Miguel Mike Medina

The Miami Marlins offense was in total control against the St Louis Cardinals on the Fourth of July. Jesus Sanchez and Garrett Cooper led Marlins offense and the team finished the game with 15 runs. The Marlins scored three runs in the first inning, three runs in the fourth, and four runs in the seventh and eighth inning. Those are the innings they did the most damage.

Jesus Sanchez got the offense started when he hit one out of the ballpark in the first inning. Sanchez went 3-for-6 with a home run and four RBIs. First baseman Garrett Cooper went 3-for-5 with three RBIs. Marlins starting pitcher Jesus Luzardo had a good outing. He finished the game with eight strikeouts and zero earned runs through six innings.

Marlins won 15-2. They are playing exceptionally well. The team from South Florida improved to 50-37 in the season.